Good afternoon,

My conviction that this country needs to go for growth is rooted in my personal experience.

I know what it’s like to grow up somewhere that isn’t feeling the benefits of growth.

I saw what that meant and I am not prepared to accept that for our country.

I want a country where people can get good jobs, new businesses can set up and families can afford an even better life.

That’s why from day one I’ve been ambitious for growth.

Since the 2008 financial crisis, the potential of this great country has been held back by persistently weak growth.

I want to deliver a low tax, high wage, high growth economy.

It’s what I was elected by my party to do.

That mission remains.

People across this country rightly want stability.

That is why we acted to support businesses and households with their energy costs this winter.

It’s also the case that global economic conditions are worsening due to the continuation of Putin’s appalling war in Ukraine.

And on top of this, debt was amassed helping people through the Covid pandemic.

But it is clear that parts of our mini budget went further and faster than markets were expecting.

So the way we are delivering our mission right now has to change.

We need to act now to reassure the markets of our fiscal discipline.

I have therefore decided to keep the increase in corporation tax that was planned by the previous government.

This will raise £18 billion per year.

It will act as a down-payment on our full Medium-Term Fiscal Plan which will be accompanied by a forecast from the independent OBR.

We will do whatever is necessary to ensure debt is falling as a share of the economy in the medium term.

We will control the size of the state to ensure that taxpayers’ money is always well spent.

Our public sector will become more efficient to deliver world-class services for the British people.

And spending will grow less rapidly than previously planned.

I met the former Chancellor earlier today. I was incredibly sorry to lose him.

He is a great friend and he shares my vision to set this country on the path to growth.

Today I have asked Jeremy Hunt to become the new Chancellor.

He is one of the most experienced and widely respected government ministers and parliamentarians.

And he shares my convictions and ambitions for our country.

He will deliver the Medium-Term Fiscal Plan at the end of this month.

He will see through the support we are providing to help families and businesses including our Energy Price Guarantee that’s protecting people from higher energy bills this winter.

And he will drive our mission to go for growth, including taking forward the supply side reforms that our country needs.

We owe it to the next generation to improve our economic performance to deliver higher wages, new jobs and better public services, and to ease the burden of debt.

I have acted decisively today because my priority is ensuring our country’s economic stability.

As Prime Minister, I will always act in the national interest.

This is always my first consideration.

I want to be honest, this is difficult.

But we will get through this storm.

And we will deliver the strong and sustained growth that can transform the prosperity of our country for generations to come.

• Export bar is to allow time for a UK gallery or institution to acquire the painting
• West is famed for The Death of Nelson and this painting shows the evolution of cricket from a rustic to noble sport during the 1700s

The Cricketers (Ralph Izard & Friends) by Benjamin West is at risk of leaving the country unless a buyer can be found.

The Cricketers shows five wealthy American men playing cricket, possibly at Kew, while visiting the UK to study in the 1700s.

The painting is regarded as one of the most important works depicting early cricket and shows that by the 1750s the sport had evolved from the rustic game played in the 1720s to one taken up by the aristocracy.

West is best known for his work The Death of Nelson which shows the great British naval hero Lord Nelson on the deck of his ship, Victory, at the Battle of Trafalgar.

Arts Minister Stuart Andrew said:

Cricket is enjoyed by millions of people across the world and this fascinating painting tells the story of the rise of the sport during the 18th century.

It is a wonderful and rare depiction of the early development of one of our most loved games. I hope a buyer comes forward to save the work for the nation so we can give it another innings in the UK.

The Minister’s decision follows the advice of the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest.

The Committee noted that the painting came at a crucial period of the development of cricket as an elite sport and it was a rare depiction of an early game of cricket. The Committee also suggested that identifying the background to the painting, would be an interesting research avenue and would add to its historical importance.

Committee Member Professor Mark Hallett said:

Together with its interest as a sporting painting, West’s picture is notable for being a rare group portrait of young colonial Americans in England. This kind of work, known as a ‘conversation piece’, was more commonly commissioned by British aristocrats to mark their Grand Tour through Italy. Here, however, the format is repurposed to fit the needs of a group of wealthy American friends who were studying in Britain in the early 1760s.

The Cricketers powerfully demonstrates the extent to which these men were happy to identify themselves with what was often described as the ‘mother country’; some twelve years later, however, their world and their allegiances were to be thrown into flux by the American Revolution. West’s picture, made in his mid-twenties and one of the very first he produced on arriving in London in 1763, also illustrates the developing talents of an artist who was to enjoy great fame later in his career, and who became the second President of the Royal Academy of Arts in 1792.

The Committee made its recommendation on the grounds that the painting is of outstanding significance to the study of Britain’s relationship to America in the 18th century.

The decision on the export licence application for the painting will be deferred for a period ending on 13th April 2023 inclusive. At the end of the first deferral period owners will have a consideration period of 15 business days to consider any offer(s) to purchase the painting at the recommended price of £1,215,000. The second deferral period will commence following the signing of an Option Agreement and will last for three months.

ENDS

Notes to editors

1. Organisations or individuals interested in purchasing the painting  should contact the RCEWA on 0161 934 4317 .
2. Details of the painting are as follows: Benjamin West, The Cricketers, 1763 Oil on canvas, 99.1 x 124.5 cm A conversation piece showing five young colonial Americans, when students in England. The sitters are traditionally identified as the brothers Andrew and James Allen, of Pennsylvania; Ralph Wormeley, of Virginia; and Ralph Izard and Arthur Middleton, of South Carolina. All sons of wealthy, influential colonial American families, they are shown outdoors, at leisure playing cricket. The picture commemorates their shared experience in the ‘mother country’ and captures a world soon to be fractured by American revolutionary politics, in which the sitters took opposing sides.
3. Provenance: By descent in the family of Andrew Allen, one of the sitters, acquired in 2021 by the current owner.
4. The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest is an independent body, serviced by the Arts Council (ACE), which advises the Secretary of State for Digital, Culture, Media and Sport on whether a cultural object, intended for export, is of national importance under specified criteria.
5. Arts Council England is the national development agency for creativity and culture. They have set out in their strategic vision in Let’s Create that by 2030 they want England to be a country in which everyone’s creativity is valued and given the chance to flourish and where everyone has access to a remarkable range of high-quality cultural experiences. ACE invest public money from the Government and The National Lottery to help support the sector and to deliver this vision. Following the Covid-19 crisis, the Arts Council developed a £160 million Emergency Response Package, with nearly 90% coming from the National Lottery, for organisations and individuals needing support. They are also one of the bodies responsible for administering the Government’s unprecedented Culture Recovery Fund.

Mr Chair,

I am delivering this statement on behalf of Iceland, Liechtenstein, Norway, Switzerland, the United Kingdom and my own country, Canada.

On October 11th, the global community commemorated the 10th anniversary of the International Day of the Girl. In 2012, Canada tabled UNGA resolution 66/170 whereby states agreed to dedicate this day to celebrating the voices and power of girls, championing their rights worldwide, and reflecting on the challenges they continue to face because of their gender.

Over the past ten years, we have seen a growing recognition that the empowerment of and investment in girls is integral to achieving each of the Sustainable Development Goals.  We have acknowledged repeatedly that the meaningful participation of girls in decisions that affect them is essential to breaking cycles of discrimination and violence.  OSCE participating States have consistently underlined that gender equality and ending violence against women and girls is vital to fulfilling OSCE commitments. Through the Women, Peace and Security and Youth, Peace and Security agendas, we have accepted that it is impossible to achieve lasting peace if you exclude half of society from the process.

Over the past ten years, we have witnessed girls acting as agents of change in their communities and far beyond. They are leading the way as students, entrepreneurs, volunteers and activists, and proving that you are never too young to shape the future and improve the lives of others.

Yet, girls remain at risk and their voices are too often ignored.

The COVID-19 pandemic has amplified existing gender inequalities. It has put girls at higher risk of early marriage due to a combination of economic shocks, school closures and interruptions in reproductive health services. Up to 10 million girls worldwide are at risk of child marriage.

Russia’s ongoing war of aggression against Ukraine is having a devastating impact on the safety and security of women and girls. The aggression against Ukraine must end.

Mr Chair, we know that violence against women and girls further escalates in both scale and severity in situations of conflict and crisis.  The UN Independent International Commission of Inquiry on Ukraine, ODIHR and the OSCE Moscow Mechanism have documented egregious cases of sexual and gender based violence perpetrated against women and girls by Russian troops. Women and girls make up the majority of the almost 14 million IDPs and refugees who have been driven from their homes by Russian aggression.  Women and girls are the most at risk for human trafficking. All of these risks are exacerbated where there are intersectional vulnerabilities such as for persons with disabilities; LGBTQI people; and members of racial and ethnic minorities.

Outside the OSCE region, in Iran, we have witnessed the reprehensible detention and death of a young woman, Mahsa Amini, as a direct result of the systemic repression of women and girls in Iran. In the ensuing weeks, we have witnessed the courage of young Iranian women and girls – and the men and boys who have joined them as allies – as they have peacefully protested and fought for their human rights and for their rightful role in Iranian society and government. We stand in solidarity with Iranian women and girls.

Mr Chair, we know what needs to be done. The human rights of all girls must be respected. They must be heard and given a meaningful voice in decision-making.

We must ensure that girls are not attacked, violated, abused or silenced.  Our future depends upon it.

Thank you very much Mr Chair.